Synopsis: The Enterprise is called to Sherman's Planet, where agricultural scientist Jean Czerny is adapting a new quadrotriticale seed (The Trouble with Tribbles, anyone?). However, by the time they arrive, Jean has been taken captive by Commander Kang, a ruthless Klingon who will do anything to get the new seed to his starving worlds, including using force on the scientist. But Jean is not all that she seems and the situation is not a simple case of kidnapping. Jean is forced to live among the Klingons, working to end the famine that threatens their empire. But even as she adapts to her brutal new surroundings, new dangers and intrigues threaten to overwhelm her and her newly adopted mission of mercy. Will she ever see the Federation again?
Pawns and Symbols is... frankly, a weird entry in the series. It reads more like a historical romance book than a Star Trek episode: an intelligent young woman is captured by a powerful, but still attractive half-savage and uses both her brains and her body to survive the encounter, learning, as she does, that the man and the culture are not quite as bad as she first thought. It reminded me a lot of the 1919 novel The Sheik, and that's no compliment. The Sheik, the story a man who captures and brutalizes a woman who eventually falls in love with him, was a sensation in it's time, spawning a popular movie and sequel. In Pawns, after his attempt to rape Jean is interrupted, Kang forces her into a sort of concubine role and she is used and abused throughout the rest of the book, beaten quite severely at times. I may be oversensitive, but I found this to be an uncomfortable read. Abusive characters like the Sheik and Kang are next to impossible to redeem and encouraging fantasies about them and excusing their behavior is a dangerous game to play.
Anyhoo, preaching aside, Kirk and crew are hardly in the book at all, though they are well written when they appear (there's an odd episode with them in the middle book that seems more like a short story than a necessary part of the novel). The author goes into great detail about the Klingon Empire, but while she spends a lot of time on Jean and Kang, she leaves her other new characters short on personality and backstory. In sum, the book feels more like better-than-most fan-fiction written by a woman who had a lot of fantasies about Klingons (in particular, the commander from Day of the Dove) and probably should talk to someone about that.
Not recommended: skip this and go see next week's theater showings of Wrath of Khan instead.
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